Medium Cool is an almost impossible oddity: director Haskel Wexler wanted to shoot a fictional, narrative film wherein actors mingled with real people in an uncontrolled social environment. With that in mind, he began filming a movie about racial tensions in Chicago during the weeks prior to the 1968 Democratic National Convention, on the assumption that there would be a riot there. Then he brought his cast, crew, and camera to the scene of the proposed mayhem, and waited. . . and lo and behold, civil disorder broke out. It's intensely strange to see actors, playing characters, interacting in a real-life situation with real cops and real hippies fighting and running about. This is made stranger still by the story, about a reporter covering the growing unrest in the black ghettos of the city who discovers that the FBI may be in cahoots with his network. In preparing his script, Wexler assumed that the riot would be racial, but in fact it turned out that most of the rioters were white, so the final scenes seem to interrupt the narrative and make the film an odd pastiche and a commentary on the lack of connection between politics and life. Perhaps more of a curiosity than a wholly successful film, Medium Cool is still worth seeing for its striking footage and unprecedented combination of the real and the imaginary. --James DiGiovanna

 More